Histories of the Hanged: The Dirty War in Kenya and the End of Empire by David Anderson2 March 2010
My working knowledge of Britain’s African colonial history comes mostly from my research on Rhodesia before and after the UDI — a case with its own set of peculiar circumstances that do not exactly reflect the British colonial experience its other African possessions. So I’m always interested in books such as the following that may help to fill in the gaps in my education, particularly regarding non-European history.
The London Review of Books, as always, has another good review of this book in conjunction with Caroline Elkins’ more confrontationally named Britain’s Gulag: The Brutal End of Empire in Kenya.
Histories of the Hanged: The Dirty War in Kenya and the End of Empire by David Anderson
Histories of imperialism and colonialism frequently run into the difficulty of finding and intepreting source materials in a way that balances the stories told by very local, personalised accounts (such as oral histories) and the much broader and more anonymous archival collections. Both aspects are equally crucial to the writing of history, but blending them into a single coherent narrative is no easy task — especially when the narrative involves a history of startling violence, brutality, and contradictory justifications from all parties concerned. So when a work of colonial history comes along that manages to combine excellent research with fluid storytelling, it more than deserves attention from both historians and general readers.
David Anderson’s Histories of the Hanged: The Dirty War in Kenya and the End of Empire is one such a book, a tightly-written, hard-hitting account of a particularly grim chapter in Britain’s retreat from empire: the Mau Mau conflict that wracked Kenya in the 1950s and left a trail of killings and brutal judicial and extrajudicial punishments in its wake. Anderson carefully marshals court records, archival materials, contemporary journalism, and other public and private documents such as published memoirs and private letters to shape his history of the conflict. This is no small task, because the Mau Mau conflict’s origins were complicated and multilayered, involving land disputes between and among Kenya’s white and nonwhite populations, an institutionalised regime of racism and tribalism, bitter religious disagreements that dated back many decades, and a general air of semi-benign neglect from the Colonial Office back in London. Anderson manages to pull all of these aspects together in order to depict how long-standing feuds within African communities fueled grudge-killings and guerilla warfare on a massive scale, and how the reactions of the white settlers and British officials only deepened and perpetuated the conflict. This focus on the origins and underpinnings of the conflict ensures that Histories of the Hanged is a highly readable book even for those who are not generally familiar with colonial history.
The Mau Mau conflict — or ‘uprising’, or ’emergency’, or ‘insurrection’, or ‘civil war’, or ‘rebellion’, depending on who you talk to — eventually caused enough concern back in Britain that politicians as disparate in views as Labour MP Barbara Castle and Conservative MP Enoch Powell were united in their condemnation of the colonial authority’s handling of the situation. By the end of the hostilities, about two dozen white Kenyans and several thousand more black Kenyans had been killed in various random attacks and planned massacres, some of which encompassed the inhabitants of entire villages and towns. The justice system added to this number, sending more than a thousand black Kenyans to the gallows — about twice the number executed by the French during their own colonial crisis in Algeria — and rounding up and imprisoning hundreds of thousands of others in squalid detention camps that more than a few historians have called ‘Britain’s gulag’. And yet even though David Anderson adds his voice to those who condemn the atrocities committed by both sides, Histories of the Hanged is not a book that spends all its time pointing fingers and searching for the guilty parties. Rather, it is more interested in examining the conflict of loyalties that created the political vacuum which allowed the Mau Mau to attract its followers, and the reasons why colonial authorities in Kenya were so quickly overtaken by events. It is a bloody and racially charged history, certainly, and it makes for difficult reading at times. All the same, it is a part of British imperial history that has been overlooked (in some cases, deliberately so) until very recently, and a book like Anderson’s is a welcome insight into the often-confusing background and battles of a bitter civil and colonial war.