The June 2009 issue of the online film studies journal Scope contains my review of What Have They Built You to Do: The Manchurian Candidate and Cold War America by Matthew Frye Jacobson and Gaspar González. It’s a bit longer than my usual reviews, but I do tend to go on a bit when it comes to Cold War film studies.
Archive for the ‘USA’ Category

Used and Rare: Travels in the Book World by Lawrence and Nancy Goldstone
7 October 2008Falling a bit behind in my book reviews, mostly because my writing energies have been devoted to preparing for the Film & History conference at the end of this month. I’ll post new reviews when I can.
Used and Rare: Travels in the Book World by Lawrence and Nancy Goldstone
It began with an attempt to purchase a birthday present for less than $20. Nancy and Larry Goldstone had decided to limit the amount they would spend on birthday gifts for each other that year, and so when Nancy managed to acquire a good used copy of a fine edition of War and Peace for $10, she considered it a brilliant find. That edition of Tolstoy, however, opened the door to the world of used and rare books, and the Goldstones soon found themselves drawn back to local used book stores in search of replacements for other books in their collection that were falling apart. In time, they go from being people who had never thought of themselves as ‘collectors’ to eager bidders for a first edition of James Hilton’s Goodbye, Mr Chips at a Swann Galleries auction in New York City.
Used and Rare, as its subtitle suggests, reads very much like a travelogue, focusing as it does on how the authors slowly branch out from the offerings of the used book stores in their small corner of New England. The Goldstones rarely go farther afield than Boston or New York City, constrained as they are (most of the time) by the need to find a reliable babysitter for their young daughter. The emphasis of their story is less on the books themselves and more on their gradual awakening to the small details of the book trade, from the initial sticker shock at the cost of a complete set of Charles Dickens’ works to…well, mostly the sticker shock at the prices of the books they come across along the way. One small sour moment in their otherwise pleasant experiences occurs when they attempt to view the rare books held in the Boston Public Library, and are brusquely turned away by the librarian for not having a letter of introduction or a specific reason for requesting to look at the books, apart from simply wanting to see them. (Considering that this happened in the mid-1990s, before the widespread availability of the Internet, the Goldstones might be forgiven for not knowing the standard access procedures for rare-book collections in libraries.) Otherwise, though, they find much to enjoy as they look for books that interest them, and learn a bit about the history of book-collecting and what drives people to build a collection of their own.
Overall, Used and Rare is a quick and easy read, relaxed and light without being overly fluffy. The Goldstones freely admit that they are amateurs in the book world, and make no pretensions of being more ‘in the know’ than they actually are. In its own way, this very amateurishness gives the book a refreshing quality, as it allows the reader to share in the sense of wide-eyed wonder that the authors feel with each new discovery and each successful foray into small, dusty shops filled with potential treasures.

The Struggle for Europe: The Turbulent History of a Divided Continent by William I. Hitchcock
3 September 2008I tend to review very specialised, subject-specific books, mostly because I am often dissatisfied with a lot of the broader survey books that are out there. So when a good example of a well-written survey book lands in my reading pile, it’s that much more enjoyable to review.
The Struggle for Europe: The Turbulent History of a Divided Continent by William I. Hitchcock
Attempting to write a good general history book about Europe after World War II presents any number of challenges to a prospective author, the most common of which tends to be the prominence of the Cold War in that postwar history. Cold War-era histories cannot help but dwell on the roles of the superpowers, and depending on the author’s own nationality, many promising books on postwar European history end up giving the United States or the Soviet Union too much ‘screen time’ at the expense of their actual subject. A book that is able to keep the focus squarely on the European experience is worthy of note — and history professor William Hitchcock’s The Struggle for Europe: The Turbulent History of a Divided Continent manages this feat with alacrity.
The Struggle for Europe works hard to balance the little details and the broader themes of postwar European history, and as a rule it does not dwell too long on one subject, country, or historical figure. Both sides of the Iron Curtain are represented, and the often neglected countries of southern Europe — Spain, Portugal, and Greece — have a separate section devoted to the history of their respective transitions from right-wing authoritarianism and military governments to democratic participation in the European Union. Individuals like Margaret Thatcher and Charles de Gaulle, who can easily overwhelm historical writing by the sheer force of their presence, are prominent but kept in proportion — most often, in proportion to the amount of trouble they caused their neighbours. One of the more notable sections of the book is Hitchcock’s comprehensive coverage of events in the Warsaw Pact countries during the 1980s and 1990s, from the Solidarity strikes in Poland to the gruesome execution of Nicolae Ceaucescu and his wife in Romania, which avoids treating the end of the Cold War as a fait accompli in the way that so many other Cold War history books do. This leads nicely into an overview of the breakup of Yugoslavia and the Bosnian wars, as good a place as any to bring a history of postwar Europe to a close.
Hitchcock’s writing style is smooth and flowing, not exactly conversational but nonetheless free from the stiffness that might make it sound too much like a straight classroom lecture. There’s little in the way of social history or commentary on demographic and other trends, which might make the history seem a little dry for some yet manages to prevent the narrative from meandering off on random tangents. (Personally, I would have liked a little more structure to the end-notes, but I know that some readers find end-notes off-putting and Hitchcock clearly has taken this segment of his intended audience into account.) Overall, The Struggle for Europe hits all of the right points that a basic, general survey history book should have. Those who are looking to brush up on the events they lived through and never appreciated, or learned about in school and never understood, likely would find it a very useful place to begin.

The Roaring Nineties: A New History of the World’s Most Prosperous Decade by Joseph E. Stiglitz
3 August 2008I’ve opened up a new tag for this review: economics. I have a few books in the queue that will fit nicely into this tag, and I’m looking forward to posting them.
The Roaring Nineties: A New History of the World’s Most Prosperous Decade by Joseph E. Stiglitz
Joseph Stiglitz, it might be said, knows a little something about economics. He was a professor of economics at Stanford University, served as a member and later chairman of the Clinton administration’s Council of Economic Advisers (a group of appointed economists who provide policy analysis and advice for the executive branch), went on to become chief economist at the World Bank from 1997 to 2000, and was the winner of the 2001 Nobel Prize in Economics. Not only was he in a position to witness first-hand the economic boom of the 1990s, but he also bears some responsibility for both the boom and the subsequent fallout that later affected people all around the world. The East Asian financial crisis of 1997, the mass protests at the Seattle WTO meeting in 1999, the collapse of corporate giants like Enron and the tarnished records of major accounting firms like Arthur Andersen and Merrill Lynch — there are no shortage of incidents to consider in any book that seeks to blend historical analysis with coverage of current events. Stiglitz has been a critical commentator on international economics in the past, most notably in his 2001 book Globalization and Its Discontents which lambastes the IMF and the World Bank for aggravating poverty in many places around the world. In The Roaring Nineties, Stiglitz attempts to paint an economic picture of the title decade, exploring the reasons for the boom and subsequent bust that made the 1990s resemble the financial panics of 1890s in more ways than one.
The book as a whole is really an expanded version of an article that Stiglitz wrote for the October 2002 edition of The Atlantic Monthly. In both the article and the book, he points out that while the 1990s were undoubtedly a time of high optimism and growth in the business community, the foundations were being laid for the problems that were to come. Accounting standards were growing more and more lax, the greed of CEOs and other high-powered corporate figures remained generally unchecked, and deregulation of certain industries like telecommunications and utilities exacerbated existing inequalities to a degree that would not be fully felt until after the end of the Clinton administration. ‘Creative accounting’ and ‘crony capitalism’ are two of Stiglitz’s particular phrases to describe the practices of the decade. And he has no small amount of contempt for George W. Bush’s handling of the U.S. economy, which he claims worsened the fallout of the tech bubble’s bursting and only underscores the problems inherent in pandering to the very wealthy few at the expense of the far less wealthy majority.
The primary difficulty faced in expanding an article to a book is that you have to provide enough substance to add to or elaborate on your original ideas. The Roaring Nineties suffers from a tendency towards clunkiness and periodic heavy-handedness in the expansion that veers towards sanctimonious. Stiglitz almost can’t seem to decide whether he should be beating his breast or washing his hands of responsibility for the outcome of the 1990s — he tries to do both, and it doesn’t work very well. The economic history is certainly sound, and the conclusions are solid and well reasoned, but I wonder if the book might not have been improved by a co-author who hadn’t been quite so in the thick of things, as it were. Something to consider, at any rate.

Thatcher and Sons: A Revolution in Three Acts by Simon Jenkins
20 July 2008Another book that I found a bit tricky to review in full. I think I’ve managed to summarise most of what I wanted to say, but I’d be happy to elaborate in comments if there’s something it seems I’ve left out.
Thatcher and Sons: A Revolution in Three Acts by Simon Jenkins
The coming year will mark the 30th anniversary of the 1979 General Election, called after Jim Callaghan’s Labour Government lost a vote of no-confidence — by one vote — on 28 March 1979. That election brought the Conservative Party back into power for the first time since 1974, and brought Margaret Thatcher into office as Britain’s first female prime minister. So much has changed since 1979 that it’s often difficult to pinpoint where and when those changes took place, which makes it equally difficult to fully study how those changes have shaped how we look at recent history. Political journalist Simon Jenkins (formerly of the Economist and the Times, now a Guardian columnist) has taken it upon himself to delve into this recent history and thoroughly examine Thatcherism, its theory and practice, and the permutations it has gone through in the years since the Lady was unceremoniously ousted from power in 1990.
In Thatcher and Sons, Jenkins identifies not just one, but two Thatcher ‘revolutions’: the first involving an ideological shift from the ‘commanding heights’ of a mostly socialist economy to wholesale privatisation, and the second involving a massive push to centralise the government’s control over more and more aspects of British life. As he looks into these revolutions, Jenkins traces the line from Thatcher through John Major, Tony Blair, and Gordon Brown, showing how Thatcher’s ‘sons’ have embraced (in varying ways, and with varying degrees of eagerness) the murky ideological underpinnings of Thatcherism. He also shows how Thatcherism has permeated the structure of Whitehall, especially in terms of the power that has built up in the Treasury in the past three decades. But most of all, he attempts to describe how the seemingly contradictory aims of privatisation and centralisation came together to drive the revolutions forward, in a manner that eventually made it difficult for their proponents to control.
At its strongest, Jenkins’ prose is clear and sharp and almost damning in its thoroughness, particularly in his overview of Tony Blair’s rise to power in the various Labour Party upheavals of the 1980s and 1990s. (For those who were too young to remember the specifics as it happened, or paid very little attention to Labour’s persistent navel-gazing in Foot-Kinnock-Smith years, the book is worth reading for this section alone.) He does his best to examine and weigh the merits of many commonly held beliefs about Thatcher and her successors, but there are times when his analysis misses the mark. To take one example, he criticises Thatcher’s insistence that she owed very little loyalty to the Tory establishment because, in her words, ‘They had fought me unscrupulously all the way‘. Jenkins hints, quite openly, that this attitude smacks of ingratitude. After all, didn’t she owe many of her rapid advances in the party to her position as that rare and wonderous bird, the female Tory MP? There’s more than a touch of chauvinism in that approach, as Thatcher herself might be first to claim. She was all too aware of the fact that her sex was both her greatest weapon and her greatest weakness, and it is hardly surprising that she should have felt insulted that her advance in the party often had less to do with her political or intellectual merits and more to do with the need to have some sort of token woman on the front bench. And with so much attention paid to the similarities between Thatcher and her ‘sons’, especially Thatcher and Blair, it seems odd that Jenkins should have trouble explaining some of their differences in opinion over points like European integration.
Jenkins concludes his book by declaring that the only possible means of countering the worst excesses of the Thatcher revolutions is to encourage a third revolution to strike back at Thatcherite overcentralisation: ‘localism’, by which he means a devolution of power and responsibility from Whitehall to strengthen the local government institutions that were either weakened or abolished by the Thatcher revolutions. Jenkins heaps praise on the strength of local government as it appears in the United States, particularly the town-hall meetings held in the New England states, as well as on the strength of local civic life in France and the Scandinavian countries. Yet there is something about this third revolution that fails to sound convincing, perhaps because it veers too close to an outright political manifesto at times. As the lessons of Thatcher and Sons indicate all too well, one more all-encompassing solution that is guaranteed to fix Britain’s economic and social ills might not be what the public wants or the country needs. As this kind of manifesto, the book falls rather short — but as a work of very recent political history, it is a useful point of reference.

The Quiet American by Graham Greene
6 April 2008Graham Greene is one of those authors whose works always hover somewhere in the background of my ‘to-read’ list but very seldom end up in my hands. Fortunately, a friend of mine had a copy of this particular book, and lent it to me after I’d expressed an interest in reading it. I had some good advice and feedback on this review from another friend — the third paragraph owes a good deal to her questions to me, and I’m quite grateful for the consideration.
The Quiet American by Graham Greene
In the early 1950s, French colonial military forces are bogged down in an increasingly brutal war for control of French Indochina, and the possibility of a Viet Minh victory has begun to attract the attention of certain sectors of the American military and political establishment. But for Thomas Fowler, a middle-aged British journalist who has been living in Vietnam and reporting on the fighting between the Vietminh and the French, the grander political games are of relatively little interest. Fowler is mostly concerned with his ability to live as comfortable a life as possible in Saigon, filing the occasional piece of copy for his newspaper but preferring to spend his time smoking opium and enjoying the company of Phuong, the young Vietnamese woman he has taken as a lover. Fowler has no real ambitions (except to avoid being sent back to England and to the wife who will not give him the divorce he wants) and is more than content to take no part in the Indochina conflict, but his intentions go abruptly awry when he makes the acquaintance of Alden Pyle, a young Harvard-educated American of New England stock who arrives in Saigon as part of an American aid mission. Pyle, in contrast to many of his fellow countrymen in Saigon, is a ‘quiet American’: soft-spoken, idealistic, and earnestly interested in finding a solution to the war. He is convinced that a ‘Third Force’ will be able to form a legitimate government in Vietnam, routing both the colonial power and the left-leaning nationalists. Yet Fowler soon begins to suspect that Pyle’s presence in Vietnam has a sinister component to it, and his quasi-friendship with Pyle becomes all the more complicated when Phuong leaves him, seduced by the quiet American’s promise to marry her and take her back to America. As the violence in Saigon continues to escalate, Fowler begins to rethink his personal policy of not getting involved in the Indochina conflict — although he himself would have to admit that his motivations, in this instance, may have less than altruistic intentions.
The underlying plot of The Quiet American is drawn from Graham Greene’s experiences as a reporter in Saigon during the early 1950s and to a lesser extent on his time as a British intelligence agent in Sierra Leone in the 1940s. Upon publication, the book’s unflattering depiction of the Americans and American intervention in the early stages of the Vietnam conflict prompted some reviewers to denounce Greene as anti-American and to claim that he had used the character of Thomas Fowler as a mouthpiece for his own leftist sympathies. Though one might suspect that Greene took a bit of pleasure in using Fowler to skewer some of the more egregious behaviours and attitudes he had observed during his time in Saigon, a closer reading of the text suggests that Greene found Fowler an equally unsympathetic character, one among the many unsympathetic characters in the novel. The one character who even seems to come out as a mildly respectable figure is a very minor character: Phuong’s older sister, who clearly disapproves of both Fowler and Pyle as suitable partners but who sees in them a chance to provide her little sister with stability and protection, both of which are in short supply in war-torn Vietnam. Fowler is not necessarily more observant or ‘correct’ in his thinking than any of the other characters, though his standing as both the narrator and as a foil for Pyle’s radically different beliefs does give him a more authoritative (if not necessarily authorial) voice.
Most analyis of The Quiet American tends to focus on the broader moral questions related to Cold War politics, but other questions raised by the book deserve equal consideration. In particular, the character of Phuong raises several complicated points about gender issues and Orientalism, both topics that deserve greater consideration. The trouble with considering these issues is the fact that they are both so blatant, unsubtle almost to the point of caricature, that looking deeper into them is somehow made that much more difficult. One attempt to simplify the gender issues, for instance, would say that the women of The Quiet American seem to represent marked extremes of the virgin-whore spectrum, with Fowler’s wife and Phuong at opposite ends. Yet the very obviousness of the extent to which Phuong is objectified by both Fowler and Pyle (in different ways, but with the same result) and even by Phuong’s own sister makes it difficult to tell, I think, the extent to which it’s been done deliberately. Any thoughts on Orientalism would have to take into account the Chinese and other Vietnamese characters in the book, but again Phuong dominates this theme — as in Fowler’s description of how ‘[taking] an Annamite to bed with you is like taking a bird: they twitter and sing on your pillow‘. Attempting to extract Greene’s message on Orientalism and gender issues is further complicated by the Greene-as-Fowler question, and the problem of separating Fowler’s voice from Greene’s. Awareness may be a poor substitute for analysis, but on these issues awareness is at least likely to provide some semi-satisfactory answers.
In both a Cold War and post-Cold War context, The Quiet American tends to be brought up in connection with the idea of American naïveté regarding foreign affairs, a blend of good intentions and ignorance that happens to prove particularly lethal over the course of the book. Yet Greene’s novel also brings up the question of individual moral choices and the difficulties that accompany a professed belief in remaining uninvolved in a conflict. The Quiet American isn’t one of Greene’s ‘Catholic novels’ (which include The Power and the Glory and The End of the Affair), but those who simply treat it as a piece of topical political commentary and downplay everything else sadly ignore the complex moral questions that provide much of the driving force of the story.
Commentary: A very un-Canadian Caper….
27 September 2012(I originally wrote this on another online journaling site, but after consideration I feel that it’s worth re-posting here as well, with a few minor edits.)
I know that I shouldn’t let myself get too upset about Hollywood’s usual approach to history, because if I did then I’d likely never do anything with my time but froth at the mouth. But I feel rather strongly about this most recent bit of history that Hollywood’s taken on: the Canadian Caper, which will shortly air as the new Ben Affleck picture Argo.
It’s an exciting true-life story, I’ll admit. At the height of the 1979 Iranian hostage crisis, a CIA operative is given the task of rescuing six Americans who managed to escape the storming of the Tehran embassy and are hiding in the homes of two Canadian diplomats, one of whom is Canadian Ambassador Ken Taylor. So the CIA fakes an entire film production company, Studio Six, and gets into Iran under cover of scouting locations for a new film called Argo. When the fake film team leaves the country shortly thereafter, the six Americans (having been given Canadian passports with CIA-forged Iranian visas) leave under their cover as the film crew, reaching the safety of Switzerland before travelling back to the States. The remaining Canadian diplomats evacuate the country shortly thereafter, and when the press breaks the story of the daring ‘Canadian Caper’, Iran breaks off diplomatic relations with Canada in retribution. Lots of room for action, adventure, and dramatic tension in a story like that. It’s a nail-biting suspense flick if I ever heard one.
But now we come to Argo, the film based on these events.
According to the IMDB cast list, as best I can tell the only Canadian figure given reasonable billing is Ambassador Ken Taylor, played by Victor Garber (thankfully, Canadian himself). Taylor’s wife Pat is also included, further down the cast list. But there is no mention of John and Zena Sheardown, the Canadian immigration officer and his wife who also sheltered three of the six Americans for more than two months. No mention of either Prime Minister Joe Clark or Foreign Minister Flora MacDonald, who originally pushed through the Order in Council that issued six Canadian passports to be used for the rescue attempt. Yes, Tony Mendez and the CIA organised the actual rescue, faking the visa information and going into Iran as the exfiltration team. But for those two months, Taylor and Sheardown put themselves and their families at great personal risk to hide the fugitive Americans, living with the constant fear that someone would find out what was going on and let it slip to the hostage-takers at the American embassy. Why are the Canadians so conspicuously absent from a film about the Canadian Caper?
Granted, I understand that the film is based on Tony Mendez’s book Argo: How the CIA and Hollywood Pulled off the Most Audacious Rescue in History, which naturally focuses on the CIA’s part in the rescue of the six Americans. Unlike Canadian historian Robert Wright’s book Our Man in Tehran, which centres on Ambassador Taylor’s role during the hostage crisis, Argo plays up the successful, hands-on American action — such a contrast to the months of waiting endured by the hostages, and the shambolic failure of the Operation Eagle Claw rescue attempt. Nonetheless, by all but writing the Canadians out of the Canadian Caper, Argo suggests that Ben Affleck has taken all the wrong lessons about creating historical drama from his heavily panned role in 2001’s Pearl Harbor.
I will probably see Argo, just so I can critique it on its own merits or lack thereof rather than on what I’m seeing from the trailers and the cast list. I’m particularly interested in how the Iranians themselves are portrayed, and if even the slightest nods are given to the history of American meddling in Iran and its less-than-honourable support for the shah. But I’ll be fighting my own blood pressure the whole time.
Posted in commentary, diplomacy, film and television, intelligence, metahistory, USA | Leave a Comment »